Clipped introductory images show the aftermath of the incident, leading into location-establishing shots of the town presented in dusty yellowish tones that go on to define the film’s aesthetic.īy contrast, brief fleeting visions of Melbourne are rendered steely blue, with Bana doing that thing that actors often do when positioned in skyscrapers: staring pensively through the glass at the concrete jungle around them, with a look on his face that screams “I’m in deep thought”. Binding the threads together is the protagonist Aaron Falk (Eric Bana), a Australian federal police agent who returns to his fictional hometown of Kiewarra following the apparent murder-suicide of his old friend Luke (Martin Dingle Wall), who it seems killed his wife and child before turning the gun on himself.
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